Senior Motion Designer in Immersive Scenography & Mapping
Freelance → Open to work
20:08:03
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EST. in 2026
Videomapping & Immersive Masterpieces
Videomapping & Immersive Masterpieces
Videomapping & Immersive Masterpieces
Scenography for Artists and TV
Scenography for Artists and TV
Scenography for Artists and TV
+15 years as an Artistic Director producing cool digital pieces
+15 years as an Artistic Director producing cool digital pieces
+15 years as an Artistic Director producing cool digital pieces
Immersive Experiences
Immersive Experiences
From monumental mapping to immersive rooms. I design large-scale visuals that transform spaces and tell stories on walls, stages, or buildings.
Scenography & Motion
Scenography & Motion
Crafting visual universes. Whether for a concert, a TV show, or a private event, I animate unique worlds that sync perfectly with the music and the vibe.
Real-Time Workflows
Real-Time Workflows
Using tools like SMODE, Notch, or Unreal, I create flexible content that handles last-minute changes without sweating.
Production Pipeline
Production Pipeline
Bridging art and tech. I speak the language of your technical crew. I deliver pixel-perfect files ready and in no time.
Specialized softwares
Specialized softwares
Masterclass & Tutorials
Masterclass & Tutorials
Masterclass & Tutorials
70K
70K
Students
100K
100K
Lessons given
Lessons given
2010
2010
Starting year
Starting year
Everything you need to know
What are your rates and how do you price projects?
My public daily rate is €650/day for high-intensity, short-term missions. However, I prioritize long-term partnerships: for a first collaboration, I offer a special introductory rate to build trust and reduce your initial risk. For projects longer than 10 days, I transition to a flexible package rate that better fits your budget.
Do you work on-site or remotely?
I am based in the South of France and work 100% remotely. I’ve shifted my focus entirely to visual creation and artistic direction. While I no longer handle on-site setup or live operation, I speak the same language as your technical crew. I provide them with pixel-perfect files and optimized workflows to ensure a seamless integration on the field.
How do you handle tight deadlines or last-minute changes?
The events industry never sleeps, and neither does my workflow. I use real-time tools like SMODE, Notch, and Unreal Engine specifically because they allow for extreme reactivity. Whether I'm working solo or within a team, my priority is always to find the smartest technical solution to deliver a high-quality result on time, no matter the pressure.
What exactly do you deliver at the end of a project?
I deliver the full visual soul of your event: from initial concepts and pre-production to the final high-resolution media. More than just files, I provide a tailor-made production workflow designed to fit your specific technical constraints (monumental mapping, stage screens, or immersive venues), ensuring that what we imagined looks perfect on the day.
What are your rates and how do you price projects?
My public daily rate is €650/day for high-intensity, short-term missions. However, I prioritize long-term partnerships: for a first collaboration, I offer a special introductory rate to build trust and reduce your initial risk. For projects longer than 10 days, I transition to a flexible package rate that better fits your budget.
Do you work on-site or remotely?
I am based in the South of France and work 100% remotely. I’ve shifted my focus entirely to visual creation and artistic direction. While I no longer handle on-site setup or live operation, I speak the same language as your technical crew. I provide them with pixel-perfect files and optimized workflows to ensure a seamless integration on the field.
How do you handle tight deadlines or last-minute changes?
The events industry never sleeps, and neither does my workflow. I use real-time tools like SMODE, Notch, and Unreal Engine specifically because they allow for extreme reactivity. Whether I'm working solo or within a team, my priority is always to find the smartest technical solution to deliver a high-quality result on time, no matter the pressure.
What exactly do you deliver at the end of a project?
I deliver the full visual soul of your event: from initial concepts and pre-production to the final high-resolution media. More than just files, I provide a tailor-made production workflow designed to fit your specific technical constraints (monumental mapping, stage screens, or immersive venues), ensuring that what we imagined looks perfect on the day.
What are your rates and how do you price projects?
My public daily rate is €650/day for high-intensity, short-term missions. However, I prioritize long-term partnerships: for a first collaboration, I offer a special introductory rate to build trust and reduce your initial risk. For projects longer than 10 days, I transition to a flexible package rate that better fits your budget.
Do you work on-site or remotely?
I am based in the South of France and work 100% remotely. I’ve shifted my focus entirely to visual creation and artistic direction. While I no longer handle on-site setup or live operation, I speak the same language as your technical crew. I provide them with pixel-perfect files and optimized workflows to ensure a seamless integration on the field.
How do you handle tight deadlines or last-minute changes?
The events industry never sleeps, and neither does my workflow. I use real-time tools like SMODE, Notch, and Unreal Engine specifically because they allow for extreme reactivity. Whether I'm working solo or within a team, my priority is always to find the smartest technical solution to deliver a high-quality result on time, no matter the pressure.
What exactly do you deliver at the end of a project?
I deliver the full visual soul of your event: from initial concepts and pre-production to the final high-resolution media. More than just files, I provide a tailor-made production workflow designed to fit your specific technical constraints (monumental mapping, stage screens, or immersive venues), ensuring that what we imagined looks perfect on the day.